Category: Tuesday Tech
TUESDAY TECH: 3D at Home for Movies, Video Games, TV, and More

With now-regular releases of 3D feature-length movies like Journey to the Center of the Earth, Bolt, and the upcoming My Bloody Valentine 3-D, it’s only a matter of time before we’re all enjoying 3D content in the comfort of our living rooms…
3D at Home
The annual Consumer Electronics Show (CES) is right around the corner, beginning on Thursday, January 8, and I suspect that a large number of 3D displays and equipment will be shown off. As high-definition televisions work their way into the home environment, the next step is to take that crisp, clear 2-dimensional picture and bring it into 3D space.

Several companies have already begun the process of trying to make 3D technology common. I purchased a 56″ Samsung DLP HDTV around 1.5 years ago that I knew featured 3D capability of some sort, though I wasn’t entirely sure what it was. DLP.com’s somewhat vague Web site offers a little bit of information on how to hook up such a display to a computer for 3D gaming with a select number of games. Not exactly what I had in mind when I thought of 3D content.
However, when I visited the 2008 International Association of Amusement Parks and Attractions (IAAPA) convention in Orlando, I stumbled across a company’s booth that was demoing 3D content on such a DLP television… but they weren’t showing off some silly game. Instead, using a pair of shutter glasses (electronic glasses that receive an infrared signal to quickly open and close shutters over each eye in sync with the picture), they were displaying clips from Journey to the Center of the Earth in full-color, full 3D. No headache-inducing red/blue anaglyph glasses here. It was true 3D content, in high-definition, on a consumer-level television set. I immediately recognized this as the future of home entertainment.
Recently, Disney has pushed 3D in theaters with their Disney Digital presentations of most of their animated feature-length films. Pixar will release all of its future films in 3D, including re-releasing the original Toy Story and Toy Story 2 to theaters. But when it came to 3D at home, Disney resorted distributing free red/blue anaglyph glasses to present Miley Cyrus’ Best of Both Worlds Concert, as almost no one currently has the necessary equipment to view either polarized or shutter-based 3D content at home.
In the upcoming Superbowl, a red/blue 3D commercial for the film Monsters vs Aliens will premiere. Here’s a trailer with information on where to pick up the glasses:
But this is still resorting to decades-old technology to deliver 3D content to the average home viewer. Fortunately, Dolby Laboratories Inc. is working to change all of that:
From reuters.com:
Dolby says it is currently talking with content providers about encoding its digital 3-D technology into Blu-ray movies. It declined to identify potential partners. The company is also working on getting its technology used in 3-D video games.
In its push into home 3-D, Dolby will face stiff competition in a nascent market. Many companies at this week’s Consumer Electronics Show in Las Vegas will be showcasing various ways to bring 3-D into the living room.
[…]
Dolby’s home 3-D technology is designed so viewers would not be required to buy additional hardware, he said. It would work on any 3-D enabled TV — currently available from companies including Mitsubishi and Samsung — with a standard Blu-ray player.
Most 3-D entertainment requires the use of glasses, from simple polarized lens to costly pairs with extremely fast-moving shutters. Dolby said its technology would support whichever glasses the TV manufacturer specifies.
So the good news is that 3D content is definitely on its way home. The bad news is that its path is a long one. With the upcoming digital television transition still confusing many consumers and HDTV only in around one-third of American homes, high-definition 3D content is still several technology leaps away.
TweetTUESDAY TECH: Manfrotto Modopocket mini-tripod

The Modopocket, made by the popular Italian tripod and lighting stand maker Manfrotto, is one of the best tiny tripods I’ve ever used, though it does have a couple of drawbacks. It’s extremely lightweight and easy to use. The two legs (around two inches wide) simply flip out to be placed onto any surface. Four rounded rubber corners allow for a fairly secure grip onto any surface. It attaches to any standard camera tripod mount via one red screw.
Unlike other tiny tripods that I’ve tried, the Modopocket is sturdy. I’m not afraid of the tripod collapsing or my camera falling over when using this product. It only enables a camera to sit around 1.5 inches off of a surface, so it’s really designed just to stabilize a shot. The two legs are able to be angled to point the camera at the subject being shot.
Manfrotto has included several small details that really show that they’ve put thought into this product’s design. The metal from which the Modopocket is made is very hard, but lightweight, so you can’t bend or break it, but it’s also not going to weigh your camera or bag down while you have it with you.
The Modopocket also completely collapses, making it only one quarter of an inch tall. Since it has a built-in threaded hole on the bottom, a standard tripod can be attached to the camera without even removing the Modopocket, which lets users conveniently always leave it on a camera.
When open, a tiny strong cord keeps the two legs within 2 inches of each other at all times, regardless of the angle. This smart addition prevents the legs from collapsing outward under the weight of the camera.
The biggest downside I’ve found to the Modopocket is its inability to allow for portrait shots. Since it is so tiny, it’s only possible to set it up horizontally with the tripod mount on the base of a camera. While a camera can be mounted onto it in any orientation, giving plenty of tilt adjustment, it’s impossible to fully rotate the camera 90 degrees while attached to the unit to take a portrait shot.
Securing the Modopocket to a camera requires a screwdriver, coin, or other hard flat surface, so you may find yourself hunting for something the first time you attach it. Of course, one you’ve attached it, there’s really no reason to ever remove it.
At around $30, the Modopocket is a wonderful resource for any photographer (still or video) to have in their bag of tricks. It’s quick to set up on any nearby surface. Simply flip out the legs and any camera instantly has added stability and the ability to be angled in a number of directions to get the best shot.
I received the Modopocket for Christmas from my wife, though I’ve been told it was quite a hunt to find one. It is listed on Amazon.com but unavailable at the time of writing this. In fact, it seems to be unavailable just about everywhere in the United States. My wife ended up buying it from the United Kingdom. It’s lightweight enough where overseas shipping wasn’t expensive.
You can find out more information about the Modopocket from Manfrotto’s Web site.
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